B40 Sled base chair (Upholstery Material - Fabric | Bauhaus belts)
Designer : Marcel BreuerCollection : Bauhaus
| Order type | Pre-order (production begins after order) |
|---|---|
| Production period | 2 months~ (varies depending on the product) |
| Delivery method | Sea transport |
| Delivery period | 2~3 months |
| Note | There may be delays in the manufacturing process, and schedule information cannot be provided before production is complete. Please purchase with ample time. |
| Order special conditions | Cancellation is not possible after 7 days of ordering, and a 30% penalty will be charged in case of cancellation. |
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Iconic but yet as ethereal as if Marcel Breuer had made it by magic. Nonetheless, the B40 chair was born out of a new design idea: Breuer simply rotated his Bauhaus stool by 90 degrees to create it. The resulting B40 became the epitome of Bauhaus modernism, which revolted against heavy furniture and all that was bulky.
El Lissitzky said: “Only inventions will determine form creation.” These inventions lay firstly in using the elastic properties of steel and tube bending, and later in flattening the tube for greater resilience. Two essential factors for the development of the cantilever chair based on a new spirit of the times: floating and flying.
The B40 therefore stands out for the details that transform its cubic shape into elegance. A geometry that follows the body. The backrest is slightly inclined to support the lower back, ending in an arch that makes the chair easy to transport. Perhaps unnecessary in terms of design, the double struts on the front are aesthetically pleasing and provide added stability, creating a rhythmic accent, as if Breuer had been making crystalline music – and not a highly versatile chair.
Frame: nickel-plated tubular steel
Seat and backrest: fabric
Many other configurations of this product are available on request.
The Bauhaus Archive in Berlin only approves true-to-work and licensed reeditions of the original Bauhaus models. These are marked with Oskar Schlemmer’s signet, which he designed for the Weimar State Bauhaus in 1922. Even today, Tecta's Bauhaus models are based exactly on the proportions of the originals.
