LC2 Fauteuil Grand Confort, petit modèle, deux places 3-seater fabric sofa (Category - Fabric | O)
Designer : Le Corbusier, Pierre Jeanneret, Charlotte PerriandCollection : LC2 Fauteuil Grand Confort, petit modèle, deux places
| Order type | Pre-order (production begins after order) |
|---|---|
| Production period | 2 months~ (varies depending on the product) |
| Delivery method | Sea transport |
| Delivery period | 2~3 months |
| Note | There may be delays in the manufacturing process, and schedule information cannot be provided before production is complete. Please purchase with ample time. |
| Order special conditions | Cancellation is not possible after 7 days of ordering, and a 30% penalty will be charged in case of cancellation. |
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Archetype of modernity
A timeless style that has written its own chapter in design history, becoming an icon of global fame. Perfect today in any residential or contract setting.
1965
A timeless style that has written its own chapter in design history, becoming an icon of global fame. Designed for ease of conversation, the armchair was exhibited at the Salon d’Automne [Autumn Salon] in Paris in 1929 as the archetype of the modern concept of furnishings, interpreted by its authors as “household equipment”. The separation between the metal structure and the cushions is consistent with the principles of Rationalism, just as the separation between the parts is based on an industrial approach to production, reminiscent of the architectural relationship between the loadbearing structure and the in-fill elements.
These models are also available in an eco-friendly version that stays true to the original design. Thanks to the study conducted by Cassina LAB, a partnership between the Cassina Research and Development Center and the Poli.design consortium of the Politecnico University in Milan, the foam-fill parts, the padding in the cushions and the tubular structure are produced with sustainable materials and processes.
Designed for ease of conversation, the armchair was exhibited in 1929 at the Salon d’Automne in Paris as the archetype of the modern concept in furnishings, interpreted by its authors as “household equipment”.
The separation between the metal structure and the cushions is consistent with the principles of Rationalism, just as the separation between the parts is based on an industrial approach to production, reminiscent of the architectural relationship between the loadbearing structure and the in-fill elements.
